When Brother Firetribe started in 2006 their debut album "False Metal" had a huge impact on me. It was full of melodic jewels and surely one of the best releases in that year. The follow-up "Heart Full Of Fire" was a bit weaker to my ears, so I was excited if this tendency continues.
If you aren't familiar with Brother Firetribe here are some facts for you: the two flagships of the band are without a doubt singer Pekka Ansio Heino (Leverage) and guitarist Emppu Vuorinen from Nightwish. I'm still surprised by these two guys, because the musical style of Brother Firetribe is so much different from their main bands. I mean you wouldn't expect an AOR record from a Symphonic Metaler, right? Yeah and that's the essence of Brother Firetribe: keyboard driven 80's AOR/Melodic Rock. For all fans of Journey, Toto and Survivor this band must be a revelation.They combine the best of these bands wihtout sounding like a copy.
I've already read comparisons with H.e.a.t. but I've to say the style is quiet different. While H.e.a.t. have a more modern presentation and add a fresh note to their sound, Brother Firetribe sound very traditional and old-school, maybe even a bit outdated. So, H.e.a.t present the new era of Melodic Rock and Brother Firetribe are the traditionalists. So expect no innovations here.
Brother Firetribe continue where they left of six years ago: the opener "Love Is Not Enough" is a really good start for this album: after a short time you feel like home, because although Brother Firetribe take many elements from different bands they still have an own, unique sound. The Brother Firetribe mood is right back! The opener is topped by the following two tracks "Far Away From Love" and "For Better Or For Worse". Here you find all the trademarks you love about this genre: tons of harmonies, cheesy keyboards, nice guitars, great hooks and this all is topped by ultra-catchy choruses. What do you want more? With that said I could finnish my review, because all songs come along with same structures and style, which is at the same time something to complain about, because the variety remains on track. After five songs the album gets a bit repetitive and also the keys are a bit too cheesy and dominant for my taste. Somewhere in the middle Brother Firetribe also run out of the cool hooks I mentioned above. Tracks like "Hanging By A Thread" and "Trail Of Tears" can't keep up with previous songs.
But with the Sammy Hagar cover "Winner Takes It All" (which is very close to the original) and "Tired Of Dreaming" the band is back in top-form. "Reality Bites" features a nice bridge, but the chorus left me disappointed. "Close To The Bone" is another solid tune. So the overall impression of the songmaterial on "Diamond In The Firepit" is solid. Compared to older tracks like "Valerie", "One Single Breath", "I'm On Fire", "Midnite Queen" or "Runaways" the new ones sadly can't hold the same level, except of three tunes, which is not that much in my opinion.
Soundwise you could think this album was recorded back in 1985, which will make all those 80's fanatics of you very happy. The performances are all very good and authentic. You'll get to hear some pretty good guitar solos and raspy vocals in a polished production. This time everything seems to be a bit softer - now you have to decide if you like this or not. Personally I would have prefered a more rockin' sound.
Yeah and that's it - Brother Firetribe succeeded again in giving you the ultimate 80's feeling, a trip back in time if you want so. Unfortunately, the songs get repetitive and a bit uninspired after a strong first half, which tarnishes the overall impression slightly. Nevertheless traditional AOR lovers will get what they are looking for. "Diamond In The Firepit" is a solid comeback of this talented band. Welcome back, Brother Firetribe!
7/10
Tracklist:
01. Intro
02. Love Is Not Enough
03. Far Away From Love *
04. For Better Or For Worse *
05. Desperately *
06. Edge Of Forever
07. Hanging By A Thread
08. Trail Of Tears
09. Winner Takes It All *
10. Tired Of Dreaming *
11. Reality Bites
12. Close To The Bone
* best tracks
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